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Partitioning Baltimore Murals

Arts Integrated Lesson Launch for Grade 3 Fractions with Differentiated Options for Grade 4

Partitioning Baltimore Murals

Pairs with Reveal Math Lessons 3rd Grade: 7-1

In this lesson launch, students will view murals from various locations throughout Baltimore City and discuss how partitioning was used to divide them into equal parts (halves, thirds, fourths, sixths, etc.). Teachers will also discuss the background, location, and motivation for creating the murals.

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MARYLAND STATE STANDARDS

MD Math Standards:

  • 3.NOS.F.10 – Recognize and explain that a fraction represents a part of a whole. a. Partition shapes into parts with equal areas and express the area of each part using a unit fraction. b. Explain that a fraction represents one part of a whole that is divided into d equal parts, and that a fraction represents c parts of size.

This lesson connects to math standards around fractions representing parts of a whole because students are being given time to explore Baltimore murals and how partitioning was used to divide them into equal parts. It supports understanding because it brings in real-world examples of partitioning to help introduce the upcoming unit on fractions.

MD Arts Standards:

  • VA.AS7:I:3-5:1 – Analyze similarities and differences between the elements of art in observed form.
  • VA.AS7.E:3-5:1 – Analyze components in visual imagery that convey messages and compare personal interpretations.

These arts standards ask students to analyze and communicate the ways they think about images of murals. The purpose of this activity is for students to look at various murals and to determine their similarities, differences, and the manner in which they are partitioned.

OUTSIDE OF MD?

Common Core State Standards:

  • 3.NF.A.1 – Understand a fraction 1/b as the quantity formed by 1 part when a whole is partitioned into b equal parts; understand a fraction a/b as the quantity formed by a part of size 1/b.
National Arts Standards:

  • VA:Re7.2.3a – Determine messages communicated by an image.

ARTS INTERATED LEARNING OBJECTIVE

Students will be able to identify and explain how shapes are partitioned into equal and unequal parts by analyzing mural images using visual thinking strategies and purposeful questions.

MATH DOMAIN

  • Number and Operation Sense → Develop an understanding of fractions as numbers → Partition shapes into parts with equal areas

    COHERENCE

    • Before: This is the first lesson on fractions in third grade. In second grade, students partitioned rectangles and circles into halves, thirds, and fourths.
    • After: After teaching this lesson, students will represent and compare fractions by counting unit fractions, using area and length models, and benchmark reasoning. They will also show that the size of a fractional part depends on the size of the whole.

    MATH & ART SKILLS

    • Math: Students will partition a shape into equal parts and describe the equal parts of a shape.
    • Art: Students will use visual thinking strategies to derive meaning from the images they see. Students will be able to explain how partitioning helps artists use mathematical principles to create artwork that is properly proportioned. 

    MATERIALS

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    SLIDE 1: PROVIDE BACKGROUND

    • Baltimore is one city that is known for its street art and murals.
      • Street art = visual artwork created in public spaces, such as on building walls, streets, and bridges
      • Mural = a large painting on an outdoor wall or public pavement, often created to beautify a neighborhood or share a community message
    • Ask: “Have you seen any street art in our local community?”

    SLIDE 2: MODEL THINKING

    Model thinking about murals using the See, Think, Wonder protocol

    Model Mural: Mural of Freddie Gray by Nether on corner of Mount and Prestbury; photo © BA Street Art. The following questions and answers can be used, but teachers are welcome to make their own observations and guide the discussion however feels natural:

    • “What do I see?”
      • Possible student response: I see three equal parts with people dressed in suits on the left, Freddie Gray in the middle section, and a crowd on the right with sad facial expressions.
      • NOTE: Teacher should state that the center with Freddie Gray is ⅓ of the mural. The whole mural is 3/3 because it is broken up into 3 equal parts, and the whole mural is the 3 parts.
    • “What do I think about that?”
      • It makes me think that Freddie Gray is an important person since he takes up one part of the mural.
    • “What does it make you wonder?”
      • It makes me wonder how the people on the left and right sides are connected to each other.
    • “What is the main idea of the mural?”
      • The main idea is that Freddie Gray’s death caused people to come together and fight for justice.
    • “How is the mural broken up into different sections?”
      • The mural is broken up into three different sections. Gray is in the center because he is the focus, and the people in the background are there as supporting characters. There is a clear group of people in the left section, and another group of people on the right.

    SLIDE 3: POSE PURPOSEFUL QUESTIONS

    • Present the students with two images of Baltimore City murals.
      • Mural 1: Mural by ECB (photo © BA Street Art)
      • Mural 2: Mural by Gaia in Baltimore (photo © BA Street Art)
    • Provide students with adequate time (1-2 minutes) to quietly observe the two images and consider their similarities and differences. The teacher should model looking from left to right and individually at both images.
    • Students share to the group or a partner the similarities and differences, some of which may be mathematical and others non-mathematical.
      • Teachers may use equity sticks, turn and talks, or other strategies that they rely on in their classrooms.
      • The teacher accepts and acknowledges all student responses, while repeating what students share (in the students’ words) so that all students can hear and build on one another’s responses.
    • Ask: How are each of these murals partitioned? How many sections do they each have?
    • These follow-up questions are meant to help advance students’ understanding of equal parts and partitioning:
      • Ask “What do you notice about the size of each part in each mural?”
      • Ask “Does the way that the mural is partitioned create meaning? If it does, what meaning does it create for you?”
      • Ask “How would this mural look if it wasn’t partitioned? Would the meaning change?”

    SLIDE 4: EXPLORE & DEVELOP

    Explain to students that they can partition a shape into smaller parts in different ways. Guide students to discuss how they would partition this mural into smaller parts. They might note that they could create equal or unequal parts.


    ASSESSMENT & REFLECTION

    Teachers will check for understanding by informally observing during the lesson. Teachers can use their own checklists or classroom procedures for holding students accountable during the lesson and ensuring that students are engaged and sharing their thinking with partners and the class.


    DIFFERENTIATION

    • This lesson could be modified for small group targeted instruction by using the same murals. The teacher could print copies of the murals and have students physically cut the murals (sixths and thirds) into equal groups in order to reinforce what partitioning is and what makes something an equal sized part.
    • This lesson could be adjusted for 4th grade, unit 8 in Reveal, to focus on equivalent fractions. Purposeful questions could include, “If the murals are the same size, what fraction on the first mural is equivalent to what fraction on the second mural?” (eg. 2/6=⅓) The MD math standard associated with this is 4.NOS.D.9.
    • You can make this more complex by having different groups of students explore one mural and then share their discussion as experts on their mural. Then the class could come back together to discuss similarities and differences between the artwork. This would require the murals to be shared virtually or printed so that each group has a designated mural.
    • Additionally, if you teach in a different state, feel free to change the art to be more representative of your local community.

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    BRAIN TARGETED TEACHING IN THE CLASSROOM

    Students will look at the images, then engage in a discussion where they compare and contrast them. The questions posed in the activity will ask students to describe how the images are the same or different. In addition, the students will learn about the location, creators, and background of the murals. To extend the discussion, teachers will ask students how the manner in which the murals have been partitioned helps to affect the overall meaning of the artistic intent of the artwork.

    Using Visuals to Build Thinking Habits – Visual Thinking Routines:

    Visuals enhance memory more effectively than words alone (the picture superiority effect “a picture is worth a thousand words”).

    Images are processed both visually and verbally, leading to deeper encoding and retention. Visual art also supports building strong thinking habits, including observation and interpretation, conceptual understanding, perspective-taking, and questioning.

    Using images helps make student thinking visible and promotes deeper cognitive processing. This is because it aligns with how the brain naturally learns: requiring students to slow down, make connections, and engage curiosity. In doing so, habits of thinking are reinforced.

    Harvard’s Project Zero Thinking Routines are an excellent resource.

    The Emotional Climate:

    Teachers should have established social connections with students to help facilitate discussions where students feel comfortable sharing their thoughts and feelings in class.

    The Physical Space:

    The physical environment should make sure that all students can clearly see the images.

    Learn More:

    Learn more about Brain Targeted Teaching via Dr. Mariale Hardiman’s site.

    ROOT BRANCH MEDIA GROUP – BRING ROOT BRANCH TO YOUR SCHOOL!

    All video content made in partnership with Baltimore’s Root Branch Media Group.

    OTIS ELDRIDGE

    Dr. Otis L. Eldridge has dedicated the past 11 years to serving students as a general music teacher, band director, and arts integration specialist. A proud native of Baltimore City and graduate of Baltimore City Public Schools, Dr. Eldridge earned his bachelor’s, master’s, and doctoral degrees from Morgan State University. His commitment to education and student success has earned him numerous honors, including recognition as an Outstanding Instrumental Music Educator in 2023. Most recently, he was selected as the 2025–2026 Baltimore City Public Schools Teacher of the Year. He currently serves as a Member-at-Large for the Maryland Music Educators Association, contributing to state arts education policy.

    HAILEY KOOB-JOHNSON

    Hailey Koob-Johnson is a passionate third grade teacher dedicated to creating an engaging classroom where all learners can thrive. As her school works toward becoming an IB Primary Years Programme (PYP) school, she embraces an inquiry-based approach that fosters student agency and meaningful connections across subject areas. Hailey is committed to arts integration, using movement, visual arts, and creative expression to deepen understanding and make learning accessible for diverse learners. Outside of the classroom, she enjoys training for marathons and spending time with her dogs. She brings that same energy and creativity into her classroom to keep learning joyful, inclusive, and engaging.