The Great Migration
Arts Integrated Lesson Plans and Materials for Teaching the Great Migration & Grade 9 Social Studies
The Great Migration 
Pairs with Social Studies, Grade 9
In this lesson, 9th-grade students will explore the history of the “Cakewalk” and analyze geographical patterns of the Great Migration. Using this knowledge, they will create a modern movement phrase that reflects the journey of Black Americans from the South. The lesson may be taught over several class periods.
Standards
Getting Ready
Downloads
TEACH!
Creators
MSDE/BCPSS CONTENT STANDARDS AND INDICATORS
- Students analyze historical events and movements that shaped U.S. society.
- Explain the causes and effects of the Great Migration
- Analyze how historical experiences influenced Black cultural expression
- Students analyze how people, places, and culture are connected.
- Interpret maps and geographic data to identify migration patterns
- Analyze how culture and traditions move and change across regions
COMMON CORE STATE STANDARDS
- Develop questions about how migration impacts culture and identity
- Use geographic tools (maps, regions, directions) to analyze migration patterns
- Apply historical knowledge to interpret cultural traditions
- Analyze primary and secondary sources to build historical understanding
- Use evidence to explain artistic and movement choices
- Communicate understanding through movement, discussion, and written reflection
- Explain conclusions using historical and geographic evidence.
NATIONAL ARTS STANDARDS
- DA:Cr1.1.I a. – Explore a variety of stimuli for sourcing movement to develop an improvisational or choreographed dance study. Analyze the process and the relationship between the stimuli and the movement.
- DA:Re.7.1.I a. – Analyze recurring patterns of movement and their relationships in dance in context of artistic intent.
- DA:Cn11.1.I a – Analyze and discuss dances from selected genres or styles and/or historical time periods, and formulate reasons for the similarities and differences between them in relation to the ideas and perspectives of the peoples from which the dances originate.
ESSENTIAL QUESTION
- Did the 1920s preserve the past or invent the future?
OBJECTIVE
- I will be able to explain and demonstrate the migration patterns of Black Americans during the Great Migration through a “Modern Day Cakewalk.”
ASSESSMENT
- Modern Day Cakewalk Choreography: Students will demonstrate understanding of direction, region, and movement patterns of the Great Migration to create a movement phrase that mirrors the journey of Black Americans from the South.
MATERIALS & CLASSROOM SETUP
- Chart Paper
- Laptops with internet access
- Jacob Lawrence’s Migration Series Online Materials
- Lesson Slides
- Labeled Regions and Cardinal Directions around the classroom: NORTH, SOUTH, EAST, WEST, NORTH EAST, MIDWEST, WEST
- Clear travel space for students in the shape of a square
- Map of the United States w/out Cities
- Map of the United States w/ Cities
- Ability to play music aloud
- Music Library
- Assessment Rubric
- Student Facing Planning Document
KEY SOCIAL STUDIES VOCAB
- The Great Migration
KEY ARTS INTEGRATION VOCAB
- Traveling- movement of a person or group from one area to another.
- Révérence- bow or curtsy
- Artistic Intent- The choreographer’s purpose or intention for creating a dance work.
TEACHER BACKGROUND
- Teachers should have a basic understanding of:
- The Cakewalk
- Modern Dance Styles
- South: Hit the Quan; Billy Bounce
- Northeast: Park Heights Strut; “Hips”
- Midwest: Chicago Juking; Detroit Jit
- West: Squabble (California); Jerk (California)
WELCOME FROM SHAR AND KELSEY!
ENGAGE
Understand the Great Migration
Share the lesson objective.
- Use the Jacob Lawrence Collection materials to either introduce what The Great Migration was, or reinforce/review.
- Note: More than 75 years ago, a young artist named Jacob Lawrence set to work on an ambitious 60-panel series portraying the Great Migration, the flight of over a million African Americans from the rural South to the industrial North following the outbreak of World War I (The Phillips Collection).
Students can explore the background information on this time period here by hovering over the “Introduction” icon and looking through Lawrence’s collection.
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- Can be done individually, in small groups, or as a whole group
Next, explore the Migration Map depicting the movement patterns of Black Americans between 1920 and 1970.
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- Note: There is also an option to explore Reverse Migration. More information on this topic can be found here.
Check for understanding: Before moving on, students should be able to answer the following questions (Slide 3):
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- What is The Great Migration?
- What are some factors that led Black Americans to leave the South?
- Name 3 migration patterns
INTRODUCE
The Cakewalk
Use the “Step Inside” technique and video example (Slide 4) to introduce students to the Cakewalk dance.
Connect: Explain that the cakewalk and the Great Migration are connected because culture moves with people. The cakewalk began in the South as a dance where Black Americans expressed creativity and strength, even during hard times. When Black families moved from the South to other parts of the country during the Great Migration, they brought their music and dances with them. The cakewalk changed and influenced new dance styles in new places, just like people changed and adapted in new communities.
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- Explain that this is why we will use key elements of the Cakewalk to demonstrate our understanding of the movement patterns during the Great Migration.
Use Slides 5 & 6 to introduce the defining characteristics of the Cakewalk that we will use in our own movement phrases later in the lesson.
CONNECT
Modern Dance Trends
Explain that when students create their own movement phrases to show the movement patterns of the Great Migration, they will use the key elements of the Cakewalk (Slide 14) with steps from modern dance trends.
Use the map and Slides 8 – 11 to review regional modern dance trends.
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- Show short videos of regional dances from different parts of the U.S.
- Have students map these dances on a blank U.S. map.
- Allow time for students to try the dances themselves.
- Check for Understanding/Reinforce: Review the Great Migration patterns on the map before moving to the next steps.
APPLY
Cakewalk Group Challenge
Divide students into small groups (2-4 members), representing migrating families.
Assign each group a “hometown” (e.g., Atlanta, Memphis, New Orleans, Nashville, Birmingham, Jackson, Charlotte) and a destination city that corresponds with the Great Migration Map.
Slide 13: Explain that each group will create and perform their own Cakewalk. Review the Movement Checklist (Slide 14) outlining how dances will be assessed.
Directions:
Create a movement phrase incorporating modern dance styles from the region that correspond to your family’s hometown and destination. Feel free to use the examples of dance trends that were given to you, or research your own.
Consider the emotions that your family may have felt both during their journey and once they arrived at their destination. Use those feelings to create a third original dance. Be prepared to discuss your group’s artistic intent for your choreography.
Direct students to the Music Library to select:
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- One song representing their hometown
- One song representing their destination
Provide students time to research, plan, and rehearse their Movement Phrases. Students use the Student Planning Organizer to plan their phrase.
PERFORM
The Cakewalk Migration
Use sticky notes or index cards to collect student hometowns, destinations, and music selections. Student groups will perform one at a time.
Instruct all groups start in the “South” area of the room.
When a group’s music begins, students will dance around the room counter-clockwise, starting in the South (South, East, North, West).
They will go around the room twice. The hometown song will play for the first rotation, the migrating city song for the second rotation. The group will end in their new destination.
ASSESS
Discuss: Ask each group to explain their migration pattern aloud to the class, and how their movements represent the journey.
Movement Checklist: Use the included rubric to assess the movement elements of the assignment. Did each group meet the Modern Cakewalk criteria?
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- Dance steps must travel
- Must have physical contact with at least one other person in your family while traveling (linked arms, arms over shoulders, etc.)
- Must include at least 3 different dance moves (one from your hometown, one from your destination, and an original dance that shows what your family felt when they arrived at their destination)
- Must include a choreographed révérence, or bow, at the final resting place
Written Reflection (Exit Ticket): Students will write a reflection of their “journey” and experience as an exit ticket
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- Select from the following reflection questions, or create your own.
- What is one new idea or connection you learned from this experience?
- How did creating a movement phrase help you understand The Great Migration better?
- What part of this experience stood out to you the most, and why?
- How do music and dance help tell people’s stories?
- What is one question you still have after today’s lesson?
- Select from the following reflection questions, or create your own.
ROOT BRANCH MEDIA GROUP – BRING ROOT BRANCH TO YOUR SCHOOL!
All video content made in partnership with Baltimore’s Root Branch Media Group.
KELSEY SELLMON – CONNECT WITH KELSEY!
Kelsey Sellmon is a dance educator and Morgan State University alum based in the DMV area. Currently, she teaches middle school dance at the Baltimore Leadership School for Young Women and coaches the after school dance team BLSYW Elite. Kelsey is very passionate about her work with the Children’s Defense Fund Freedom Schools. Serving and completing her tenure as an Ella Baker Trainer, she was able to teach young adults nationwide how to facilitate the Integrated Reading Curriculum, a curriculum that prevents summer learning loss through engaging literature and social justice. She has a strong passion for using dance to cultivate the minds of young artists, while helping them to find a way to make a difference in the world. Kelsey enjoys spending time with her husband, son Dominic, and daughter Eden. In her spare time, she enjoys taking dance classes and spending time with friends.
SHAR HAMPTON
Shar Hampton is a dedicated educator who teaches 9th grade history (World Cultures) and 10th grade history (Making Modern Europe) at the Gilman School. In addition to her teaching role, she also serves as the assistant sprint coach for indoor and outdoor track. Her educational foundation in interdisciplinary learning began at the Asheville School in Asheville, North Carolina, where she was a humanities teacher who taught European Studies through a variety of disciplines. Shar holds a Bachelor of Arts in History from Spelman College in Atlanta.



