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The Harlem Renaissance

Arts Integrated Lesson Plans and Materials for Teaching the Harlem Renaissance & Grade 9-11 Social Studies

Jump to topic: Create a Blues Song

Create a Blues Song

Pairs with Social Studies, Grades 9-11

In this lesson, students explore the Harlem Renaissance through visual art, informational texts, and Blues music. They analyze artwork and primary sources to understand the cultural and historical context of the era, then apply their learning by writing original lyrics in a traditional 12-bar Blues format and share their work in a classroom “Harlem Renaissance Salon.”

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SOCIAL STUDIES

  • 2.2c – Assess the impact of the Harlem Renaissance, the Great Migration, and Garveyism on the African American freedom movement.
  • D1.4.9-12. – Explain how supporting questions contribute to an inquiry and how, through engaging source work, new compelling and supporting questions emerge.

COMMON CORE STATE STANDARDS

  • RI.9-10.7 – Analyze various accounts of a subject told in different mediums (e.g., a person’s life story in both print and multimedia), determining which details are emphasized in each account.
  • W.9-10.3.d – Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters.

ARTS STANDARDS

  • I:9-12:1 – Describe how interests, experiences, knowledge, and skills relate to personal choices and musical intentions when creating, performing, and responding to music.
  • I:9-12:1 – Use a variety of media and methods, including available technology, to develop, present, explain, and document musical works with connections to context and artistic purpose

ESSENTIAL QUESTIONS

  • Did the 1920s preserve the past or invent the future?
  • How did the Great Migration set the stage for the Harlem Renaissance and the Black freedom movement?

OBJECTIVE

  • Students will analyze visual art, historical texts, and Blues music from the Harlem Renaissance and synthesize their learning by composing an original 12-bar Blues song that reflects the perspective, themes, and historical context of the time period.

ASSESSMENT

  • Original 12-Bar Blues song: Students demonstrate understanding through their lyrics, use of Blues structure, and their ability to explain how their song connects to the time period.

MATERIALS & CLASSROOM SETUP

KEY SOCIAL STUDIES VOCAB

  • Harlem Renaissance, Jazz music, Langston Hughes, Louis Armstrong, Marcus Garvey, The New Negro, Ku Klux Klan, Billie Holiday, Chicago Defender, Duke Ellington, Great Migration, Salon

KEY ARTS INTEGRATION VOCAB

  • Blues, Form, Rhythm

STUDENT BACKGROUND

TEACHER BACKGROUND

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Slides

Concept Map

BUILD BACKGROUND

What was the Harlem Renaissance?

Explain the objective:

    • In this lesson, students will explore the Harlem Renaissance through visual art and music. They will learn about the Blues genre of music, which grew in popularity during the Harlem Renaissance, and will be able to share what they’ve learned about the time period through creating their own “12 Bar Blues” song.

Start with the art (Visual Analysis) – “See, Think, Wonder”:

    • Use the included slides (1-7)to show students several images created by Harlem Renaissance artists. Use all or select several that are most resonant to you/your students.
    • For each image, use the “See, Think, Wonder” routine (as a class discussion, in pairs, or independently as a stop-and-jot) to help students think deeply about the images.

Close read & research:


LEARN

Music of the Harlem Renaissance

WATCH: Blues Background and Close Listening Questions

Understand the impact of music (Close Listening):

    • Introduce students to some of the core musical characteristics, developments, and artists of the Harlem Renaissance.
      • Begin with the close reading/annotation handout, Music of the Harlem Renaissance
      • Share slides 8 – 12 with students that contain music samples, the Hear, Think, Wonder routine, and deeper analysis questions to immerse students in the Blues music of the time period.

APPLY

Write Your Own 12-Bar Blues Song

Explain the assessment:

    • Explain to students that they will be writing their own short Blues song with lyrics illustrating what the time period was like from the perspective of a person living during the Harlem Renaissance.

Step 1 – Counting Bars:

Step 2 – Writing Lyrics:


    PERFORM & CELEBRATE

    Create a Classroom Salon

    LEARN MORE: Share Songs in a Classroom “Salon”

    Use slides 16 & 17 to present the concept of a Harlem Renaissance Salon with students:

      • Harlem Renaissance salons were crucial 1920s–1930s intellectual and social gatherings where Black artists, writers, and thinkers met to foster culture and exchange ideas.

    Explain that we will set up our own classroom salon to share our Blues songs.

      • Arrange chairs in a circle so all students can see and hear one another.
      • Ask students to be ready to:
        • Choose which backing track they will use.
        • Explain whose perspective their song represents.
        • Describe how their song connects to the Harlem Renaissance.
      • Invite students to share one at a time.
      • As each student introduces their piece, write the song title where everyone can see it (board or chart paper).

    After each performance, allow time for:

      • Positive comments
      • Thoughtful questions
      • Reinforce that feedback should be constructive and uplifting.
        • Redirect if needed by reminding students that this is a supportive salon space.
      • At the end, review the list of song titles.
      • Discuss how the songs reflect:
        • Different perspectives
        • Themes of the Harlem Renaissance
        • Student voice and identity

    EXTENSION (OPTIONAL)

    Ask students to write a 12-bar blues telling their own personal story. Students may write as many verses as they like.

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    Materials Google Folder

    ROOT BRANCH MEDIA GROUP – BRING ROOT BRANCH TO YOUR SCHOOL!

    All video content made in partnership with Baltimore’s Root Branch Media Group.

    DAN + CLAUDIA ZANES  BRING THE ZANES TO YOUR SCHOOL!

    Haitian-American jazz vocalist and music therapist Claudia Zanes and Grammy Award winning all-ages entertainer Dan Zanes have been making music together since the day they met in 2016. During their time together the two have toured extensively; written and performed Night Train 57: A Sensory Friendly Comic Folk Opera for the Kennedy Center; created House Party: A Family Roots Music Treasury songbook for Quarto Publishing Group; and released their first record as a duo, Let Love Be Your Guide, for Smithsonian Folkways. Their follow-up Folkways album, Pieces of Home, was released in August, 2024. Vocals! Guitar! Flute! Percussion! Trombone! Harmonica! Jaw Harp! Dan and Claudia bring their social electric folk music with them wherever they go. People attend the highly interactive concerts knowing they’ll be singing along and dancing to a sound that lies at the center of Haitian folk, early rock and roll, sea shanties, Black gospel and blues. Learn more at https://danandclaudia.com/.

    SHINESE PURDIE

    Ms. Shinese Purdie is a Baltimore native, a proud product of Baltimore City Schools, and a passionate Social Studies educator. Shinese earned her Bachelor of Science Degree in History Government and Master of Arts in Teaching Secondary Social Studies. Shinese is a believer in Maslow before Bloom and is committed to building relationships with students and their families. She is also passionate about ensuring that literacy is prioritized in the classroom and believes the ability to read, think, and write about History transcends across all content areas. Shinese stands firm in her belief that educators, should teach students how to think, not what to think. Shinese currently serves as Student Support Chair and Equity Lead in Baltimore City Public Schools and is pursuing a Master of Arts Degree in History from Morgan State University.